![]() ![]() The next test was a lecture where the venue's audio system was not reliable. I was so impressed I was inspired to mix a CD from the mix I did for the video, and threw it in to the grateful client. I mixed the DR-40 four-channel recording with the mic feed I recorded in the camera and the camera's mic. In this case, I took the XLR feed off the board and placed the unit so the built-in mics would pick up the instruments. There was a cantor/opera singer putting on a performance for a local synagogue. Not only was I happy but, after looking over the DR-40, the voice actress and the radio station rep said they were going to buy it for their own projects. ![]() Because the take's levels varied so much, I was glad I was using the dual record with the lower level set at -12 dB. Considering I was working with one professional voice actress and a car sales manager, I needed as much control as possible. The controls on the unit, while responsive, aren't the same as the control you get with a mixer. By going into the mixer first, you have more tactile control over the record levels. To maintain better control over the situation, I used a couple of vocal mics on table stands, going into a Samson Mixpad-4 compact four-channel mixer and then into the DR-40. While I probably could have gotten away with using the DR-40's internal microphones, it would have been to difficult to hold between the two people speaking and control the audio levels. My first test for the DR-40 was another Toyota commercial for L.A.'s “world famous” KROQ alternative rock station. And on top are two built-in high-quality microphones that can be moved to an X or Y pattern. On the back, there is a compartment for installing three AA batteries. On the right side there is a door for loading an SD card (a 2 GB card is included in the box), and a USB 2 port for connecting to a computer for power or file transfers. #Samson mixpad 9 into interface then pc manualAt the far right is the manual input level, in the form of up and down buttons. To the right of that is the “hold” switch that, when set, will keep you from accidentally stopping the recording. Next to it is a switch that sets the XLR inputs for line, mic, or mic + phantom power. ![]() On the left side there is a 1/8-inch jack for headphones or line out. Above that are the transport controls, and solo buttons for channels 1–2 and 3–4, along with a record mode button. Moving up on the front there is a “navigation wheel,” made up of 9 buttons, that allows you to move through the extensive menus to change system settings. #Samson mixpad 9 into interface then pc proStarting at the bottom, there are two combo XLR 1/4-inch pro audio jacks. Let's take a look at whats on the outside of the DR-40. ![]()
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